In
the fall of 1877 near the tiny settlement of Watson in Montana Territory,
a Bannock-Shoshone hunting party broke its valley camp and headed
for high country. Edgar Samuel Paxson rode among the mounted party,
not as an artist-observer, but as a fellow hunter. For three months
Paxson stalked game and shared campfires with his Indian companions.
This was no once-in-a-lifetime frontier experience for
a man more comfortable in an artist's smock than in buckskins. It
was one of many adventures of a man who had plunged headlong into
the turbulence of Montana frontier life. After Paxson arrived in Montana
Territory in early 1877 at age twenty-five, his various employments
as scout, messenger and meat hunter for cattlemen, as well as stagecoach
guard, telegraph line rider and drover, provided him with a fantastically
rich frontier experience.
When he traversed the Lolo Trail, climbing over the
deadfalls and struggling through the mud, it was only days after Chief
Joseph and his Nez Perce had negotiated the trail in their tragic
1,500-mile retreat through Idaho and Montana. He became familiar with
Indian encampments and encountered Indian parties, both friendly and
hostile. He saw the Indians work, fight and celebrate. He played "three
card monte" with old warriors and young bucks. He slept beside the
trail and rode a buffalo-wise, iron-jawed range cayuse from settlement
to settlement, sometimes through blizzards, sometimes through the
bright Montana sunshine. For friends and acquaintances, he had soldiers
and Indians, mountain men and cowboys. He mastered the arts of wilderness
living from "talking by signs" to surviving in a snowbound camp. His
frontier experience was so broad that he became quite thoroughly a
product of the American West - an authentic frontiersman - before
he became a painter, dedicated to preserving on canvas the West he
had known.
By the mid-1890's frontier life was becoming a thing
of the past. But Paxson was a man in his forties. He had lived nearly
two decades in Montana, absorbing the essence and details of the Old
West. He had before him another two decades to devote to painting.
Only a very elite group of Western artists had a similar
opportunity and followed through with it. A very few became famous.
A few more, including Paxson, have been rediscovered though their
work has always been known to the most ardent Western art devotees.
Yet even among this exclusive group of Western artists, none had a
broader frontier experience from which to draw than E.S. Paxson.